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Alliea Nazar

Producer

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Credits

EMPLOYMENT HISTORY
Production (role):
REX OBANA PROJECT
(Script Executive)
Company:
Pencil Trick Productions
Project details:
Currently in development
Production (role):
THE BROWN GIRL (Producer)
Company:
Whisper Films
Project details:
Currently in production
Production (role):
STORY PRODUCER
Company:
Netflix
Project details:
Worked on 2 shows in development,
one 6 x 1 hour and the other 8 x 10 hour.

Commissioners Anne Mensah and Sophie Klein.
Production (role):
HONOUR
(Producer)
Company:
Hera Pictures / Buddy Club
Project details:
Factually inspired drama based on Caroline Good's investigation into the murder of Banaz Mahmoud.

2 x 1 hour

Dir. Richard Laxton

Wr. Gwyneth Hughes

Execs. Keely Hawes, Gwyneth Hughes, Peter Kosminsky, Liza Marshall

Alliea was central to the press interviews and helping to raise awareness of honour-based violence alongside the charities IKWRO & Karma Nirvana ahead of transmission.
Production (role):
DEVELOPMENT PRODUCER
Company:
Carnival Films
Project details:
Worked on development across several in house Carnival projects along with Richard Fell and Jessica Pope.
Production (role):
LUCKY MAN (Producer)
Company:
Carnival Film / Sky One
Project details:
Series 3 - Episodes 7 & 8

Execs. Richard Fell, Gareth Neame, James Nesbitt

Production (role):
LUCKY MAN
(Development Producer)
Company:
Carnival Film / Sky One
Project details:
Series 3 - 8 Episodes

Created by Neil Biswas and Stan Lee

Execs. Richard Fell, Gareth Neame, James Nesbitt
Production (role):
THE LOCH
(Script Executive)
Company:
ITV Studios / Creative Scotland
Project details:
Series One

6 x 1 hour

Showrunner Stephen Brady

Wrs. Chris Hurford, Tom Butterworth
Production (role):
THE MILL
(Development Executive)
Company:
DSP / C4
Project details:
Series 3

Developed story outlines and series bible alongside Series Producer Jonathan Young.
Production (role):
THE MILL
(Senior Script Editor)
Company:
DSP / C4
Project details:
Series 2

Worked closely with showrunner and BAFTA award winning writer John Fey.
Production (role):
MI HIGH
(Senior Script Editor)
Company:
Kudos Film & TV / BBC
Project details:
13 x 28 mins

Created by Keith Brumpton

Production (role):
CASUALTY
(Assistant Producer & Script Editor)
Company:
BBC
Project details:
Assistant Producer on the Red Button online episode.

1.6 million online viewers, a record a Casualty Red Button at the time

Developed and edited the BAFTA nominated FGM episode.

Created by Jeremy Brock and Paul Unwin
Production (role):
HOLBY CITY
(Story Editor)
Company:
BBC
Project details:
41 x 60 mins

Created by Tony McHale and Mal Young.
Production (role):
HEARTBEAT
(Script Editor)
Company:
Yorkshire Television / ITV
Project details:
Developed episodic story ideas with writers through to production.

Created by Keith Richardson and Gerry Mill

Credits

  • Production (role)
    Company
    Project details
  • Production (role): REX OBANA PROJECT
    (Script Executive)
    Company: Pencil Trick Productions
    Project details: Currently in development
  • Production (role): THE BROWN GIRL (Producer)
    Company: Whisper Films
    Project details: Currently in production
  • Production (role): STORY PRODUCER
    Company: Netflix
    Project details: Worked on 2 shows in development,
    one 6 x 1 hour and the other 8 x 10 hour.

    Commissioners Anne Mensah and Sophie Klein.
  • Production (role): HONOUR
    (Producer)
    Company: Hera Pictures / Buddy Club
    Project details: Factually inspired drama based on Caroline Good's investigation into the murder of Banaz Mahmoud.

    2 x 1 hour

    Dir. Richard Laxton

    Wr. Gwyneth Hughes

    Execs. Keely Hawes, Gwyneth Hughes, Peter Kosminsky, Liza Marshall

    Alliea was central to the press interviews and helping to raise awareness of honour-based violence alongside the charities IKWRO & Karma Nirvana ahead of transmission.
  • Production (role): DEVELOPMENT PRODUCER
    Company: Carnival Films
    Project details: Worked on development across several in house Carnival projects along with Richard Fell and Jessica Pope.
  • Production (role): LUCKY MAN (Producer)
    Company: Carnival Film / Sky One
    Project details: Series 3 - Episodes 7 & 8

    Execs. Richard Fell, Gareth Neame, James Nesbitt

  • Production (role): LUCKY MAN
    (Development Producer)
    Company: Carnival Film / Sky One
    Project details: Series 3 - 8 Episodes

    Created by Neil Biswas and Stan Lee

    Execs. Richard Fell, Gareth Neame, James Nesbitt
  • Production (role): THE LOCH
    (Script Executive)
    Company: ITV Studios / Creative Scotland
    Project details: Series One

    6 x 1 hour

    Showrunner Stephen Brady

    Wrs. Chris Hurford, Tom Butterworth
  • Production (role): THE MILL
    (Development Executive)
    Company: DSP / C4
    Project details: Series 3

    Developed story outlines and series bible alongside Series Producer Jonathan Young.
  • Production (role): THE MILL
    (Senior Script Editor)
    Company: DSP / C4
    Project details: Series 2

    Worked closely with showrunner and BAFTA award winning writer John Fey.
  • Production (role): MI HIGH
    (Senior Script Editor)
    Company: Kudos Film & TV / BBC
    Project details: 13 x 28 mins

    Created by Keith Brumpton

  • Production (role): CASUALTY
    (Assistant Producer & Script Editor)
    Company: BBC
    Project details: Assistant Producer on the Red Button online episode.

    1.6 million online viewers, a record a Casualty Red Button at the time

    Developed and edited the BAFTA nominated FGM episode.

    Created by Jeremy Brock and Paul Unwin
  • Production (role): HOLBY CITY
    (Story Editor)
    Company: BBC
    Project details: 41 x 60 mins

    Created by Tony McHale and Mal Young.
  • Production (role): HEARTBEAT
    (Script Editor)
    Company: Yorkshire Television / ITV
    Project details: Developed episodic story ideas with writers through to production.

    Created by Keith Richardson and Gerry Mill

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